011 / 9Live Folk Music
Established folk artists and emerging voices sharing the same air, every night of the run.

FIVE WEEKS
FOUR ZONES · DHAKA, BANGLADESH
A CULTURAL MOVEMENT FOR DHAKA · 2026
Where folk music meets contemporary Dhaka.
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Baul, Bhatiali, Lalon, Murshidi, Qawwali — an inheritance centuries in the making, that most of urban Dhaka now meets only as a wedding-stage novelty or a thirty-second clip on a phone. It has been preserved, archived and studied. It has almost never been designed — placed in a room people actually want to be in.
Folk Dhaka exists because the music does not need saving. It needs a stage that belongs to this decade.
A city that now pays for experience over product.
Folk moving from heritage to contemporary taste.
No platform, no calendar fixture, no owner.
011 / 9Established folk artists and emerging voices sharing the same air, every night of the run.
022 / 9Late sessions built for the hour they belong to, in rooms with the acoustics to hold them.
033 / 9An hour each night handed to whoever signed up that week. No gatekeeping, no shortlist.
044 / 9Ektara, dotara, dhol, sarinda — played, explained, and put in the hands of anyone curious.
055 / 9Readings and conversation with the writers who kept these lyrics in circulation.
066 / 9The travelling picture box, restored — the oldest screen in Bengal, rebuilt for a phone-lit crowd.
077 / 9Handloom, jamdani and block-print makers showing work at the scale the room deserves.
088 / 9A food programme built on one flavour arc — sour, spicy, sweet — carried across every zone.
099 / 9The festival's visual world as objects people keep and carry through the city.
Five distinct cultural moments. Five creative executions. One continuous story.
Rather than one mega-event competing for a single night, Folk Dhaka activates the city in sequence — each zone with its own venues, character and audience.


The cultural core
Affluent professionals, expatriates, the diplomatic community, design-led consumers.
A scouting shortlist — subject to availability, permission and commercial terms. Honest status: in discussion.
Dhaka's universities already form a map of the city.
Uttara is the north anchor; AIUB on Progoti Sharani carries the circuit south into the Badda corridor.
Bashundhara and Madani Avenue hold the highest student density in the city — and the loudest feeds.
Merul Badda and Aftabnagar close the loop as the south anchor of the circuit.
ULAB extends the circuit west. DU Charukola is the single most culturally credible campus in the country for folk.
The artists behind Folk Dhaka's visual world romanticise the chaotic capital through magical realism, nostalgia, pop culture and everyday urban life. Their work becomes the festival's identity — and its merchandise line.

A2 giclée on 300gsm cotton rag. Edition of 100, numbered and signed.
Apparel
Accessories
Home
Paper
Accessories
Apparel
Paper
Paper
Apparel
Free delivery inside Dhaka on orders over ৳2,500 · 3–5 days nationwide
Magical realism, nostalgia, pop culture and everyday Dhaka — the same visual language that dresses the festival dresses the line. Every drop is tied to an edition and never reprinted.

Block-print study — Edition One

Handloom collaboration, Dhanmondi

Tote panel, first run of 200

Tee + Tote + Pin Set
৳2,550৳2,200

Mug + Notebook + A3 Print
৳2,700৳2,400

Cap + Tote + Pin Set
৳2,250৳1,950
Every run screen-printed locally, in batches under 300.
A fixed share of every sale goes back to the illustrator.
Drops are numbered to an edition and never reprinted.
14 days, unworn, no questions — exchange or refund.

A dedicated Folk Dhaka community invites musicians across Bangladesh to submit a single song, a single phone video. The community votes. Campus heats and zone rounds narrow the field. The finalists take the closing stage.
One video. One voice.
Reels, shares, the community group.

Educated, high disposable income, experience-led. Ad-averse and subscription-shielded — but they queue for the right experience, then publish it themselves.
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PROJECTED ATTENDANCE, ALL ZONES

Reached directly through the campus circuit. Low individual spend, extremely high content output — every activation they photograph is reach nobody paid for.
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STUDENTS REACHED VIA CAMPUS CIRCUIT

Artists, academics, media, the diaspora. Small in number, disproportionate in credibility — they decide whether a brand reads as genuine.
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PROJECTED DIGITAL REACH
Four available · one per zone
BDT —
One only
BDT —
Multiple available
BDT —
Four editions a year, each running across four city zones. Edition One is five weeks — a genre a week, moving zone to zone. The shop stays open between editions.
No brand currently owns folk music in Bangladesh.
Line-up adds, venue reveals, and first access to every DhakaYeah release.